Vladimir Scolnic - ...DIXIT... (2018 version)
Jonathan Gotlibovich Cello
Amit Dolberg Piano
ICL project 2022
Meitar Ensemble:
Talia Herzlich - violin *
Yoni Gotlibovich - cello
Amit Dolberg - piano
* - Member of the Tedarim Ensemble - M. Mus for contemporary music, the Jerusalem Academy of Music and Dance
Recorded with the support of the Israel Composers' League. Inbal Theatre, Tel Aviv \ March 2021
Sound by David Louria. Video by RA'ASH Productions
Balonim, Marionetta, Tofeset
Pierre-André Valade - Conductor
Meitar Ensemble: Anat Nazarathy, flute Nir Marom, clarinet (guest musician) Nadav Cohen, Basson
Talia Herzlich, violin Yoni Gotlibovich, cello Amit Dolberg, piano
Live performance: 24.2.2022 Targ auditorium, Buchmann-Mehta School of Music, Tel Aviv University
In collaboration with the Israel Composers' League Abraham and Felicia Klon competition for young composers. Sound by Ori Amir. Video by RA'ASH Productions
Meitar Ensemble
Reut Ventorero, mezzo soprano
Nir Marom, clarinet (guest musician)
Talia Herzlich, violin
Yoni Gotlibovich, cello
Live performance: 24.2.2022 Targ auditorium, Buchmann-Mehta School of Music, Tel Aviv University
In collaboration with the Israel Composers' League. Abraham and Felicia Klon competition for young composers. Sound by Ori Amir Video by RA'ASH Productions
MAX STERN: Meditation
for solo saxophone (2021)
Meditation (Hirhur) for solo saxophone is a
reflective and prayerful composition, which draws upon improvised modal inflections
(maqam) that traditionally introduce (mawwal) the Moroccan-Jewish
piyyut (sacred poem). Specifically, it is based on an introduction to
the piyyut, “Koli L’yotzri” (My Voice to My Creator), whose
overall atmosphere suggests a philosophical mindset, perhaps aptly expressed in
the following verse from the psalms:
I will incline my ear to a parable
I will open my
dark saying upon the harp (Ps
49:5).
אַטֶּה לְמָשָׁל אָזְנִי;
אֶפְתַּח בְּכִנּוֹר, חִידָתִי
A free-flowing recitative, poetically narrative in character,
through-composed in form, this instrumental monologue evolves as an expressive
reflection upon themes of ultimate meaning and humanity, such as:
What profit a man of all his labor under
the sun (Eccl 1:3).
מַה-יִּתְרוֹן, לָאָדָם:
בְּכָל-עֲמָלוֹ--שֶׁיַּעֲמֹל, תַּחַת הַשָּׁמֶשׁ
Loosely structured in 4 extended phrases, recurring
motifs repeat in various combinations and transformations throughout, but never
exactly in the same way. Two of these phrases open on prolonged notes that
tumble slowly downward in intricate tonal figurations (m. 1-10; 11-24). The others
gradually climb upwards, rising in encircling stepwise designs, before finally coming
to rest on a sustained cadence tone (m. 24-31; 32-40).
Alto saxophone - Jonathan Chazan. Recorded at the studios of HTWG Konstanz, University of Applied Science, 22.7.2022 Produced by the interpreter thanks to the kind support of the Israeli composers league.